It’s “Guest Blog Wednesday” featuring Scott Bourne!

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10 Tips For Aspiring Bird Photographers
All photos Copyright Scott Bourne – All Rights Reserved

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Photo by Carolyn Wright

Thanks to Scott Kelby for the high honor of being invited to post on his popular blog. I'm in some pretty nice company here, so it's a bit intimidating, but I'll do my best to inform and educate. I wish I could give you something as emotionally compelling as David duChemin or as stunning as Vincent Vercace. But hey – I'm just a guy having fun wearing Tommy Bahama shirts everyday and chasing the birdie – literally – so I'll stick with what I know.

If you're familiar with my work you probably already know I am nuts about birds. I have a passion for avian photography that I'd like to share with everyone. I really like the challenge of photographing these beautiful creatures, so here are 10 tips that might interest anyone who would like to get better at photographing birds. Some of these tips work for any situation, birds or not.

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1. Research and read everything you can about birds. This tip is good for any subject, but especially birds. I wanted to photograph eagles in flight. I found out they often defecate right before they fly. And that's how I get so many eagle flight shots. The more you know about any subject, the better off you'll be when it comes time to press the shutter.

2. Have the right gear. Avian photography is one of the rare photographic pursuits where the equipment can often make the difference between getting a shot or not. Very long, fast lenses of 400 to 600mm (or even 800mm) at f/4 or f/5.6 are required for bird portraits. Fast 300mm lenses with image stabilization are required for flight shots. A good heavy tripod is a must and a camera with a fast burst and buffer rate really helps too. You'll also want autofocus lenses and a body with great autofocus. If you don't have all this stuff don't worry, you can rent it at most pro camera stores.

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3. Know your gear before you go. The first time I went out to make avian images I took my new Canon 600 F/4 IS lens with me (I shoot Nikon now but that's a different story). I was unfamiliar with all the switches and the IS. I didn't get any keepers. I took the lens home and practiced on coke cans in my back yard before my second outing and it made all the difference. Also, if you're going to use a new camera, read the entire manual and play with all the features BEFORE you go into the field. Birds move fast. They won't wait for you to remember how to set the aperture.

4. Photograph with your back to the sun. Birds look best when front lit. Sidelight may be the landscape photographer's friend, but the avian photographer's enemy. To get detail in the feathers and great color, point your shadow at the bird. You'll never be sorry you did.

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5. Make the photograph at the bird's eye level. I got down on the ground to make one of my best-selling bird images and the editor told me it was the ground/eye-level shot that made the difference. When you shoot down on the bird, you miss the drama that you can capture at eye-level. You also risk making a mediocre shot that looks like lots of other bird photos. The eye-level shots are the ones that tend to stop the viewer in his/her tracks.

6. Backgrounds, backgrounds, backgrounds. Having a clean background is a must. When I photograph birds against a clean blue sky, I often get the most compliments. Also, the further your subject is from the background, the better. Busy backgrounds detract from the subject. Simple background draw the viewer's eye to the subject.

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7. Practice at local zoos and/or bird refuges. Captive birds will give you a chance to study behavior, hone your skills and become familiar with bird photography and guarantee enough keepers that you won't be frustrated. Even if you don't bring a camera, time spent observing bird behavior under controlled conditions can provide you with an amazing learning experience.

8. Take it slow and be quiet. Birds are very easily disturbed. Sudden movements, loud noises and anything out of the ordinary will spook them. Take your time. Birds take off when they see nearly anything move quickly. If you want tame birds, some places offer you a better chance than others. The gulf coast of Florida for instance offers ridiculously tame birds. Young birds are also more likely to be tame since they haven't learned to fear people yet. But don't get so close as to disturb or threaten them. It's not worth harming a bird to get a photo, ever.

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9. Like many subjects, birds are best photographed early in the morning and late in the afternoon. These are the times that most birds are active. Fortunately this corresponds with the best light. Be there at the right time and you'll increase your chances of getting a winner.

10. Look at lots of bird pictures. Writers read if they want to become better writers and photographers look at photographs if they want to become better photographers. Look at avian images in books, magazines and on the Web. See what the photo buyers are selecting. Use those images as your benchmark and then go get some of your own.

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I hope this post has inspired you to go out and try to make some great bird images. I have found photographing birds to be one of the most rewarding experiences of my life. While there are certainly things you'll want to know and techniques I didn't have time or space to list in this article, I'm hoping the few quick tips I've provided here will get you off to a good start.

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I'd really like to thank Scott Kelby again for the chance to share with his audience. This is a must-read blog for me every day and I am glad to have the chance to contribute.

Feel free to e-mail me if you have any questions about bird photography – photofocus@me.com


 
 

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Rumored Micro Four Thirds Panasonic GF1 gets pictured

 
 

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via Engadget by Donald Melanson on 8/6/09


Well, this one's a bit out of the blue, but a member of the Xitek.com forums has produced this image of a hereto unheard of Micro Four Thirds Panasonic Lumix GF1 that's purported to come from an internal Panasonic PDF. A second image (after the break, and full size at the link below), also reveals a few more interesting details, like a port below the hotshoe that would presumably be used for a detachable EVF, and a built-in pop-up flash. Otherwise, about all that's clear is that the camera itself appears to be slightly smaller than the Olympus E-P1, and that it's prompted an endless stream of speculation on the photography forums.

[Via Digital Photography Review]

Continue reading Rumored Micro Four Thirds Panasonic GF1 gets pictured

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Rumored Micro Four Thirds Panasonic GF1 gets pictured originally appeared on Engadget on Thu, 06 Aug 2009 13:51:00 EST. Please see our terms for use of feeds.

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Shooting On-Location Portraits of Army Black Hawk Helicopter Pilots

 
 

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A few weeks ago I got to do a photo shoot with a group of U.S. Army Black Hawk helicopter pilots from an Army Reserve Medevac unit. During the shoot my 2nd assistant on the job, Chris Cox, looks at me and says, "Is there any place where you feel less like a man than when you're a civilian at at Army base?" We both just cracked up (because it's true!). We stuck out for sure, but this was just really cool! Black Hawks. Army Base. We're guys. What's not to like? (click on the photo above for a larger view).

Brad and I had already done a scouting trip to the base a week earlier (in fact, it was through Brad that I got this opportunity in the first place, as one of his friends is not only a Black Hawk pilot, but a Lieutenant at the base). I knew I wanted to do some shooting with the choppers on the flight line as my backdrop, which would put us all out in the sweltering August Florida heat, so on the day of the shoot, we went as early in the morning as we could.

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My initial idea was to use a Lastolite 4 foot x 6 foot scrim overhead, suspended on two light stands—(as seen above), to diffuse the direct sunlight, but no sooner than we got it set up, a huge cloud cover moved over the entire area, and we wouldn't see the sun again for the rest of the shoot. I took a few test shots with this set-up (which is what you see above—photo by Brad Moore), but it was so overcast that the light was flat and boring.

Luckily, we had brought along the Elinchrom Ranger Quadra two-head strobe kit you saw me talk about a few weeks earlier with Mark Astman from Bogen Imaging (here's the link). This was our first in-field test, and I have to tell you—-it performed even better than I had hoped. In fact, it was working so well, I had to call my buddy Terry White (who was considering a set for himself) during the shoot and I told him to go ahead and place the order right now. It's that good!). It was great not having to mess with any wireless issues (the wireless receivers are built right into the Quadra units, so all you need is the matchbox-sized transmitter that sits on your hotshoe).

We could see some pretty scary-looking storm clouds way off in the distance slowly heading our way, so we went right to work. We took down the Lastolite scrim, and we attached an Elinchrom 39″ softbox on one of the Ranger Quadra heads, and mounted it on a light stand to the left of our subject (Our main subject that day was Lieutenant Rob Ozburn, Brad's friend, and just a tremendous guy all around. In fact, everybody we met at the base that day was just fantastic!).

As hot as it was, Rob put on his heavy flight gear, helmet and all, to pose for the shots. Brad and I are out there in short sleeves, and we're sweating to death, but it didn't phase Rob one bit. I found out why; their choppers don't have air conditioning (except for back where the wounded are), and the cockpit temperature can often reach over 120 degrees.

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Here's a couple of the shots out from out on the flight line. I had been shooting with my 200mm f/2 (seen in the previous production shot), but I couldn't fit enough of the choppers in the frame, so I switched to my 14-24mm f/2.8, and shot this one out at 24mm at f/13. No HDR—-just Camera Raw.

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As we were shooting, we could see the storm getting closer, and the Lieutenant wanted to get a group shot of his Medevac team, so we switched to a larger softbox (a 53″ MidiOcta) and relocated at the other end of the field. In the shot above, I'm discussing where to place some of the pilots, but as it turned out, we wound up shooting at an entirely different chopper from a different angle.

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The storm is almost here. It's not raining yet, but we don't have much time. The guys are gearing up and coming out, but it takes a while to get everybody out to the flight line, so we're checking out angles and deciding how to light the group. Brad was really pushing for me to fire up the 2nd head to cover that large space, but time was short, and I really thought I could cover it with one by just moving it back behind me and cranking it up to full power, so we lit the group shot (which you see at the top), with just that one single Ranger Quadra head with that 53″ Octa.

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I finally got everybody in place (I positioned them in little clusters of three and four guys, which works great for group shots), then I put my 14-24mm wide angle lens on, got down low, and I positioned myself so the chopper blade would appear right over my head (thanks to the 14mm). I did this group shot (you can see the final image at the top of this post), then set up in front of the chopper for individual portraits, but by now the storm was nearly on us.

I only had time for about two frames each, and the base commander sent word out that there were lightning strikes in the area, so we headed right for the hanger. The hanger was only about 100 yards (90 meters) away; I had turned off my camera and we're rolling the lightstand and strobe back to the hanger. We're about half way there, and all of sudden the strobe fires—-then a second later CRACK!!!!! The lightning had triggered the flash and then a split-second later—BOOM!!!!! We raced inside, and within 60 seconds it was absolutely pouring!!!!

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Since it was pouring outside; we set up inside. From my scouting the previous week, I knew I wanted to get a shot of Rob beisde a Black Hawk in the hanger, but also using the huge American Flag as a backdrop. I got down low and had the Lieutenant look up over me. I used that same single Quadra strobe but we switched to a 39″ square softbox, up high, to his left aiming down.

Same thing here for post processing. No HDR—-just Camera Raw (well, if you want to be technical, the Develop Module of Lightroom, which is Camera Raw).

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After I got the shot with the flag, I set up to do individual portraits of each pilot, but rather than do the regular dark dramatic background, I took a cue from Tim Mantoani's fantastic portraits of this year's top NFL draft picks, and shot them on a white background (using a Lastolite HiLite background), and I used hard edge rim lighting from behind to skim each side of their face.

I used one of the heads from my Ranger Quadra to light the HiLite background, and then one as my main light the left of my camera position. We had to flag-off the two back rimlights (which are Elinchrom BXRIs powered by that Innovatronix Explorer XT battery pack I talked about back in June, and in Vol. 3 of my Digital Photography Book. So, I use four lights in all: 1 Quadra as a main light, one to light the HiLite, then the two Elinchrom BXRI's to do the rim lighting on Rob. By the way; the 2nd boom stand extending into the Hi-light is just to steady to the Hi-lite—there's no light attached.

By the way; do you see my laptop stand? I know what you're thinking; "but where's the laptop?" That's coming up in a moment.

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Here's one of those shots on the white Hi-Lite background. They don't compare with what Tim did on any level, but I'm glad I tried something different than I normally would. Again, no HDR, but like the other images here, it's a single-image process I call EDP "Expanded Definition Processing." I'm teaching a special tutorial on this for the NAPP member website, where I'll use the same images you see here and take members through the process from start to finish.

Now to the "missing laptop" question. It died on the gig. Once we got inside the hanger, it started storming like I couldn't believe (I learned later it was one of the worst thunderstorms we've had in years), and all of a sudden the wind changed, and the rain started blowing in on our equipment.

While I was shooting the flag portrait of Rob; Brad and Chris were quickly pulling the gear further inside—away from the rain. My laptop was on the tripod's laptop stand, and while Brad was moving the whole rig by himself (and navigating through all the gear on the floor), he tipped the stand too much and my laptop fell right off onto the concrete floor. It was dead. It wouldn't boot at all. Brad felt terrible, but I wasn't upset at all. Brad was trying to help me out and protect my gear, which I really appreciated, but he still took it pretty hard.

Luckily, two things happened. From my experience in Denver earlier this year (and at the instance of my friend Terry White), I had a bootable backup of my laptop with me, so I was able to work immediately off that external drive. After we got back to the office, my IT guys got me a replacement hard drive; popped it in and it worked just fine (thanks Paul and Keith).

When I got home that night, I set my Apple Time Machine wireless backup device to restore my files (it had backed me up at 6:08 am that morning), and when I woke up the next morning, it was as if nothing had happened. Everything was back just as it was. I love Time Machine!

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Here's the last shot of the day (and one of my favorites), taken in natural light. I had Rob walk out of the hangar about half a dozen times, carrying his helmet, at various speeds, until I got the frame I wanted (seen above).

Then I overexposed the shot a bit in Camera Raw, and used Nik Software's Silver Efex Pro to make the black and white conversion you see here (by the way; Silver Efex Pro is absolutely fantastic!!!!! If you're into Black & White—get this plug-in!!!! Also, if you're a NAPP member don't forget to use your discount).

Despite the weather and laptop smashfest, we had a really great shoot. But beyond that, I really want to thank Lieutenant Rob Ozburn, and the men of F Co 5-159th AVN REGT who put their lives on the line in service to our country. It was a true honor to get to photograph these brave men.


 
 

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Leo before Snow Leo

My Leo Desktop

JUst grab screenshot of my leo desktop before upgrading to Snow Leopard...

Confirmed: $29 Snow Leopard Installs Whether or Not You’ve Got Leopard

Hahahahahahaha....

 
 

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via Smarterware by Gina Trapani on 8/27/09

Snow LeopardEven though Apple suggests Mac users without Leopard buy the $169 Mac box set to get Snow Leopard, anyone can purchase the $29 Snow Leopard disc and install it. This means the Snow Leopard DVD isn't an "upgrade" at all, it's the full-on Mac OS X operating system for 30 bucks, $100 cheaper than Leopard was. I suspected this was the case, since it is with the developer build I'm running, but The Wall Street Journal's Walt Mossberg confirms it's true for the final release as well:

For owners of Intel-based Macs who are still using the older Tiger version of the Mac OS, Apple is officially making Snow Leopard available only in a "boxed set" that includes other software and costs $169. The reasoning is that these folks never paid the $129 back in 2007 to upgrade to Leopard. But here's a tip: Apple concedes that the $29 Snow Leopard upgrade will work properly on these Tiger-equipped Macs, so you can save the extra $140.

So if you're jumping from Tiger to Snow Leopard, you saved $129 bucks never purchasing Leopard and you can save $140 skipping the box set. Guess being a late adopter does pay off.


 
 

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LogMeIn Free Becomes an Even Better Value!

 
 

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via UNEASYsilence by Dan on 8/28/09

LogMeIn is the remote access solution that I swear by. You can use a web browser (LogMeIn has a JAVA, HTML, ActiveX and Native plugin for access), iPhone or Blackberry Storm. It is also completely FREE.

But a good product has gotten even better. The folks over at LogMeIn are adding support for a Flash-based control (no plugins!) and they are retooling their control website to be more user friendly as well as beefing up the features available to LogMeIn Free (include the ability to wake some computers) from sleep.

Absolutely worth checking it out. To access the new interface visit beta.logmein.com.


 
 

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norrafi@gmail.com has shared: Aug. 25, 1991: Kid From Helsinki Foments Linux Revolution

Nice, I think everybody knows...
Aug. 25, 1991: Kid From Helsinki Foments Linux Revolution
Source: wired.com

 
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Nokia N900 Now Official

 
 

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via The Nokia Blog by Mark Guim on 8/27/09

The Nokia N900 has finally been given an official announcement on Thursday. Nokia says the device will show where they are going with the Linux-based Maemo and continue to work with the community to push the software forward. We have seen an early preview of the N900 already so it was only a matter of time before Nokia unleashed their announcement.

Nokia N900 1

Nokia N900 2

Nokia N900 3

More photos are available at the official Nokia Conversations blog. They've also included a couple of videos as well.

Update: A third video of the N900 surfaced. Pretty kick ass!

Highlights

  • TI OMAP 3430: ARM Cortex-A8 600 MHz processor
  • up to 1GB of application memory (256 MB RAM, 768 MB virtual memory)
  • OpenGL ES 2.0 graphics acceleration
  • 3.5in touch screen
  • 800 × 480 pixel resolution
  • 32GB of storage, which is expandable up to 48GB via a microSD card
  • 5MP camera and Carl Zeiss optics.
  • 1320mAh battery
  • 110.9 × 59.8 × 18mm dimension and 181g weight
  • Maemo browser powered by Mozilla technology
  • fast internet connectivity with 10/2 HSPA and WLAN
  • full Adobe Flash(TM) 9.4 support
  • Video recording at up to 848 × 480 pixels (WVGA) and up to 25fps
  • full physical slide-out QWERTY
  • Expected fourth quarter 2009 at around 500 Euros

I'm concerned about this:

  • Quad-band GSM EDGE 850/900/1800/1900
  • WCDMA 900/1700/2100 MHz

Will there be a variation that supports WCDMA 850/1900 MHz so I can use 3G in the United States with AT&T?

More of the technical specifications and Nokia N900 overview also available at maemo.nokia.com.

If you enjoyed this article, you might also like…

Sponsored By: Amazon The first place to check when you want to buy ANYTHING online.


 
 

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PS3 Slim Teardown



 
 

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via Engadget by Ross Miller on 8/25/09

If you're wanting some quality analysis of what's under the PlayStation 3 Slim's hood, you're still gonna have to wait for that. However, if you're the sort that just needs to see hardware broken down into as many simple pieces as possible, boy have we got some pictures for you.

[Thanks to everyone who sent this in!]

Read - Tech Powerup forum
Read - iFixit teardown (in progress)
Read - Rapid Repair teardown (in progress)



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PS3 Slim gets torn asunder originally appeared on Engadget on Tue, 25 Aug 2009 19:40:00 EST. Please see our terms for use of feeds.

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Pokok ~ "Tree"


Tanam pokok itu sedekah...
Sedekah dapat pahala...
Pahala adalah duit untuk Akhirat..

In flight

 
 

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via The Big Picture on 8/24/09

Just over 100 years since the first sustained and controlled heavier-than-air powered flight, flying machines are now commonplace, used for transport, freight, warfare, rescue and pleasure just for starters. Aerospace technology is still the realm of both big business and entrepreneurs - Moscow recently hosted an airshow in which contracts totaling $10 billion were signed, and Virgin Galactic is still working toward a private spaceliner business. Collected here are recent photographs of various flying machines in action or on display around the world. (40 photos total)

Eurocopter EC120 Colibri helicopters from the Spanish Air Force's aerobatic team Patrulla Aspa perform during an aerial exhibition over San Lorenzo beach in Gijon, northern Spain July 26, 2009. (REUTERS/Eloy Alonso)

 
 

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Mac OS X Snow Leopard



 
 

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via InsanelyMac News on 8/24/09



It's not in September as previously announced, but maybe a little better. The devs at Apple have pulled through for an early launch of their latest creation, Mac OS X Snow Leopard (10.6).

With the worldwide downtime of the Apple Store this morning Apple added a pre-order page for 10.6 with the delivery date set for August 28th. The single user pack is available for $29 while the family pack (5-users) is priced at $49.

Said to be the next great step in enhancing your Mac experience, this next version of OS X comes with the latest version of Safari 4, out-of-the-box Exchange support and Apple's next generation media player, Quick Time X. Among the next generation technologies Apple has included 64-bit support, Grand Central Dispatch and the technology to "unleash the power of graphics processors", OpenCL.

Included in the box for this release includes the normal installation DVD (you would hope so eh) and documentation. In your box Apple is requiring 1GB of RAM and 5GB of free disk space. Also rumored to be required is an Mac computer with Intel processor, but we shall see about that!

 
 

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